Up Croc Creek Without a Paddle

Tell people you’re heading to the Northern Territory to kayak down a river and they’re only going to say one thing. Come on, no one in their right mind kayaks down a river in the Northern Territory – particularly if the river’s full of crocodiles. So I say it again and again and again: “They’re not stupid. No one’s going to let me paddle down a river with crocodiles in it.”

Turns out I was wrong. They are going to make me paddle down a river with crocodiles in it. Saltwater crocodiles. The kind that grow bigger than, well, a kayak. I discover this about 300 metres above the river on my incoming helicopter ride. That’s the Katherine River below me. When it’s done funnelling its way through nine famous gorges, which we’ve just flown over, it winds its way slowly downstream across the red dust and clay of the Australian outback, south-west of the township of Katherine.

“How come there are no saltwater crocs where we’re going?” I ask the helicopter pilot, waiting for a logical explanation. I’m sitting right beside him in his Robinson 44, so while his voice comes to me as a noise through my headset, his eyes stare right at me. “What do ya mean?” he asks.

“I just would’ve figured that a river so far north in the Northern Territory would have saltwater crocs in it.” I’m still looking at him. “There are saltwater crocs where you’re going, mate,” he says slowly, like he’s not sure whether I’m messing with him or just thick. “About a week ago, they pulled a four-metre saltie from a croc trap right where you’ll end up.” He continues on his merry way. “See there,” he’s pointing at a riverbed. “My neighbour’s dog was taken there by a saltie two weeks back. She reckons there wasn’t even a yelp. One minute it was there, next it was gone.”

But this far from the coast, the Katherine’s full of fresh water: “Doesn’t matter. They don’t mind the fresh water,” he says. But why on earth would an adventure company take people paddling above saltwater crocodiles? “It’s an adventure company, isn’t it?” he says with a chuckle. “Anyway, they should know how to avoid them.”

At this point in the conversation we spot a man in a kayak below us, waiting beside a tear-shaped sandbank in the river. The pilot banks hard left so that I temporarily lose my stomach as we come in low and fast and turn full-circle back at him.

My feet sink ankle-deep into coarse orange sand as I meet the bloke I pray knows where every last crocodile is on this stretch of the Katherine. The river’s a pretty sort of soft blue. It’s still enough, too, to create a mirror on the surface reflecting the lush trees that line both banks and look so out of place among the dusty plains we’ve just flown across. On a hot day like this one, it looks like the kind of river you’d leap right into if you didn’t know better.

“I wouldn’t,” guide Matt Leigh says casually. Leigh’s not the type to lecture or waste much breath on talking, but it’ll be these two words that guide me through the coming days – if Leigh says he wouldn’t, I don’t.

“There could be salties here,” he says, glancing around. “You never can tell. You’re better off soaking than swimming round here. Don’t swim where you can’t see the drop-off. You’d be right 99 times out of 100, but I take more than a hundred people here every year.”

Before I even so much as dip a paddle in the Katherine, I fire every croc question I’ve ever thought of, and then some, at Leigh. From that round of interrogation, let’s dispel a few myths about saltwater crocs before we go further – it’s only fair and, believe me, it helps.

They’re not always the killers we regard them as. An average saltie eats once a month, so they’re hardly out trawling for fresh meat like a lion, which eats as often as it can. And at five metres long, our kayaks are at least a metre longer than the crocs around here, so rather than seeing us as easy, squishy prey in plastic take-out trays, we’re simply the dominant species – they’ll hide until we pass by. Allegedly. Where there’s a greater chance of lurking crocs – in the deeper, darker sections of the Katherine – we’ll paddle in group formation.

But the crocs that inhabit this part of the river aren’t generally aggressive anyway – that’s why they’re here. They’re the non-dominant males who elected against fighting for women and food. Instead they tossed their towels into the ring and swam upriver to enjoy the quiet life, far from the testosterone of the coastal estuaries. There’s plenty more Leigh can tell you too, but it’s this image – of a river full of shy, retiring crocs seeking a bit of peace – that gives me the greatest comfort. So much so I’m finally able to concentrate on what’s all around me, rather than just under me.

Paperbarks grow right out over the water offering shade from the fierce afternoon sun. Blue-winged kookaburras – the kind that doesn’t laugh – fly between them as I pass by. Higher on the banks where gums grow, whistling kites and white-bellied sea eagles fly. Above them – high in the thermals – wedge-tailed eagles and black-breasted buzzards, so big they block out the sun when they pass in front of it, patrol the ground for food.

The river flows steadily so I ride the current downstream. Each bend brings with it a completely different scene – around some corners the river looks wide and peaceful; past others it narrows into tight, fast- moving avenues racing through smoothed-out sandstone, where I have to carefully negotiate my passage. When the sun starts to lose its sting, Leigh leads us to a sandbank near a knee-deep section of the river. “This’ll be camp,” he says simply. “Shallow water should keep the crocs away.” I stop to soak in the slow-moving water. By the time I dry off, Leigh has a fire going, and a pewter mug of whiskey with ice cubes is waiting on the camp table. All around ghost gums and river reds are lit up gold by the last rays of afternoon sunlight, while agile wallabies spy us through the trees, wondering about their funny-looking new neighbours.

Leigh cooks roast beef and vegetables in an old black pot on the fire and, when we’re done, I pick out a soft spot – still warm from the sun – on the rolling dunes. From my swag beneath the moonless sky, I watch stars shoot one by one across the infinite black, while listening to the steady hoot-hoot of southern boobooks and tawny frogmouths.

At dawn, Leigh kicks the fire back to life and cooks up a feed of bacon and eggs he frames not so neatly inside charcoaled pieces of toast. Then it’s back to the water. Over the next couple of days, the surroundings change by the second, as overhanging trees and green foliage give way to the kind of dusty setting you’d expect in this part of the country. Then we paddle around a corner and it changes all over again. Underneath me in the clear, warm water black bream, mullet, catfish, barramundi, snap turtles and metre-long whip rays dart about. Sometimes I float over tiny freshwater crocodiles hiding beside sunken logs – in the height of winter it’s not unusual to see 60 in a day. Above me in the trees, I see branches, tree trunks and other debris hanging precariously, swept there by summer floods when the river rises up to 20 metres. Around one corner I almost paddle into a decaying wallaby washed downstream. I hope its stench hasn’t attracted salties.

The more I paddle – or sometimes just drift with the flow, stopping to stretch my legs as Leigh boils billy tea along the river bank – the more I feel like I’m floating through some sort of real-life Hans Heysen landscape of Australiana, travelling back a century or more into a country I figured disappeared with the rise of modernity.

Out here, I can’t post a single shot on Instagram or Facebook, instead relying on my own eyes – rather than a hundred likes – to legitimise the beauty of all I see. There are no humans here either. Often we paddle for hours without speaking a single word. It’s like I can hear the outback slowly breathing in and out around me, keeping time with the wallabies that bounce along the sandbanks and the cooling nor’-wester that huffs and puffs through the paperbarks.

When the tour’s almost done, I spot a clunky, silver-looking contraption on the far bank. It’s only now I remember that a four-metre croc was pulled from here a fortnight ago – from that very croc trap. Rolling down the Katherine with the breeze at my back and the paperbarks forming a cathedral above me to guide me home, I’d forgotten about the man-eating creatures below. But as I squeeze my way slowly and silently through the only lush parts in one of the world’s most rugged landscapes, I’m mesmerised by all I see, smell and hear around me. In this blissful state of being, I feel like throwing myself into the river one last time before I leave her for the big smoke. “I wouldn’t,” Leigh says. I don’t.

Lighting Up Dark Mofo

Hobart’s ominous ceiling of cloud spits us out on the tarmac and we’re soon absorbed into a landscape as dramatic as it is gloomy. Rolling fields and mountains give way to a sky of endless grey. It’s a landscape of contrasts that serves as the perfect backdrop for the Museum of New and Old Art (MONA), an institution dedicated to life’s extremes – birth, sex and death. And that’s why we’re here: to revel in MONA’s Dark Mofo festival and get in touch with our hedonistic, pagan sides. Or, put simply, to check out some seriously weird art and music while enjoying Tasmania’s culinary spoils.

The program for the festival is unlike any I’ve ever seen. Museum creator and introverted gambling prodigy David Walsh and his minions do a damn fine job of sourcing some of the most left-of-centre exhibitions and acts. It adds great mystery and intrigue to the whole adventure, as there’s little preconception when walking into one of the numerous venues scattered across Hobart. From giant melting ice-blocks and transvestite Beat poets to Australian exploitation film screenings, Dark Mofo’s line-up is irreverent and unpredictable.

First up, and a mandatory highlight of the Mofo experience, is a visit to MONA itself. Clinging to a small point overlooking the Derwent River at Berriedale, about 20 minutes’ drive north of Hobart, the monolithic museum looks more like a Bond villain’s lair than an art gallery. Rumour has it the building will eventually crumble into the river as the land below it erodes. I guess we’ll just have to wait and see.

You can’t describe MONA in a nutshell. Safe to say, there’s nothing like it on Earth. Or in the earth, for that matter. The museum is built into the ground and you can either take a lift or a steep winding staircase into its bowels – I use that word for good reason. One of the museum’s more notorious exhibitions is a contraption designed to replicate the human digestive process. It’s all very scientific, of course, but a poo machine nonetheless. And, yes, it stinks.

Our schedule allows only a couple of hours in the museum, but you could easily spend longer. It’s incredible, weird, shocking, ridiculous and even has an onsite craft brewery and winery. I can highly recommend both, especially after watching a robot take a crap.

The rest of our Dark Mofo jaunt is split between day and night. The days are spent traipsing around Hobart and surrounds, taking in the festival’s bizarre and disparate offerings. These range from a screening of the classic Ozploitation flick Wake in Fright and a disturbing performance from legendary gothic Greek singer Diamanda Galás, to a musical stage adaptation of Snowtown, the film about the infamous ‘bodies in barrels’ murders. It is hands down the strangest theatrical experience of my life, and I’d wager a barrel 
of hard cash it’d be one of yours too.

Murderous musicals and wailing Greeks aside, Mofo really gets going after the sun goes down. The biting cold winds pick up and now is the time to ignite your smouldering inner fire with some tasty food and drink. The Winter Feast, a huge wharf on Hobart’s waterfront filled with food stalls by some of the country’s leading chefs, is an ideal start. But get there early as the event unexpectedly drew more than 45,000 hungry punters over the course of the festival in 2014.

Bellies full, we take refuge inside the New Sydney Hotel, a pub to end all pubs. This Hobart institution is a must-visit. The giant blazing fireplace toasts our backs as we peruse the drinks list. But it’s the hand-pumped beer tap that snags our attention. The brew on offer is rotated regularly, offering up a bevy of either unheard of or unpronounceable small-batch beers such as the Aurora Borealis, a 16 per cent beast that dares you to mumble its name after a couple of pints. We knock back a few and proceed to Dark Faux Mo, the festival’s official afterparty.

We roll into the Odeon Theatre, a longstanding Hobart icon and this year’s party venue. Divided between the main theatre, a mezzanine space and a small shed around the back, the festivities offer something for every taste. Headlining the main stage on the final night of the festival is Seattle drone metal band Sunn O))). The entire theatre is drenched in smoke and strobe lights and through the flashing sickly sweet fog comes the most diabolical noise. The smoke begins to clear, revealing a monstrous stack of speakers and the origin of this deafening auditory barrage. I manage about 15 minutes before retreating to the bar.

A few more Moo Brews and I’m upstairs, soaked in sweat and beer, dancing (some would argue having a fit) to Aussie synth-funk outfit Total Giovanni. The band finishes on a high and I slip out into the chill. The pathway between the main theatre and the back shed is crammed. I shoulder my way through the crowd of freaks and geeks and into the brothel-red lit back room. I arm myself with another Moo and take stock. The room is absolutely pumping. In the back corner a bluegrass band works revellers into a frenzy, while in the centre a skinny, bearded dancer a leather S&M get-up is gyrating on a stripper’s pole. At this point any lingering inhibitions evaporate.

I’m not sure what time we finish up, but on the walk home, in between bites of a pie, I try to piece together what this whole thing has been about. I’m still unsure whether the winter solstice/pagan-ritual theme ties each moment and experience together, but there’s something undeniably powerful happening in Tasmania thanks to MONA. Travelling to an island at the end of the Earth in winter and completely immersing yourself in art, performance, gastronomy and partying is truly unique. In a bloated festival landscape such as Australia’s, MONA’s Dark Mofo stands tall among the crowd. And I can tell you, I’ll be back.

On Tour With Team Australia

It’s 3am on game day and Katie Ryan can forget about getting any more sleep. A player raps on her door with a problem that’s now her problem. He has been up vomiting and can’t keep water down. Minutes later there’s a second knock on the door. Another player has woken, this time with a throbbing pain in his hand after his fingernail was trodden on during the previous day’s match.

“The players got very little sleep that night before having to get up and prepare for another two games, and I decided it was just easier to stay up, make an early coffee and get some paperwork done,” Ryan says. “It was going to be a long, long day – it would be 22 hours before I got a chance to get to sleep again.”

Welcome to life on the road as team physio of the Australian Men’s Rugby Sevens. In some respects, Ryan is living every girl’s dream – travelling the world with a muscular bunch of uber-athletic blokes, always on stand-by should one of them need a rubdown. But Ryan isn’t a girl, she’s a professional sports physiotherapist and mother of three, who’s second family just happens to wear green and gold and takes her to places most nine-to-fivers could barely imagine. This year the circuit includes Las Vegas, Dubai, Wellington, the Gold Coast, Hong Kong, Tokyo, Glasgow, London and Port Elizabeth in South Africa – all with two gear bags, a treatment table and 30 kilograms of sports tape in tow.

“Apart from the travel I’m just really lucky that I get to look after these absolutely professional athletes; they train super hard and, yes, there are pinch me moments when I’m doing a treatment session looking out over Dubai, or having a treatment session watching the whales swim up the coast at the Gold Coast, or treating a player looking over Wellington. They’ve just been amazing times.”

When we meet trackside at Sam Boyd Stadium in Las Vegas, Ryan, 44, has her hands full. The player who was up vomiting is being assessed for IV fluids – he’s come off the field severely dehydrated and has shed three kilograms. There are other wounds and injuries to tend to and once they’ve been dealt with, a quandary: where can two women meet in such a blokey environment? “How about I come to you?” I propose. The suggestion is met with the following text: “Where I am now in the change rooms faces the communal team shower – you would blush.”

Ryan is used to the nudity, blood, sweat and grit that comes with looking after a professional sports team – it’s part of her job description and, as the only woman on the squad, she carries out her role with dignity and respect. It’s a courtesy that is reciprocated among the players and team managers, who don’t mind giving Ryan a gentle ribbing when they see her talking to a journalist – it’s all part of the camaraderie. Humour is important when you live out of each other’s pockets on tour.

Ryan always snags the biggest hotel room during tournaments, but it’s not really her own. As the primary person responsible for player welfare (team doctors don’t come on tour), she’s on call 24/7. In Vegas her day starts early with the players filing into her room to ‘check-in’, a game-day ritual where they are weighed, have their physical stats recorded and any issues addressed. Next it’s off to the pool for ‘activation’ to start preparing for the day’s matches (often there are two games, each consisting of seven-minute halves with a two-minute half-time). Ryan will spend up to an hour strapping and prepping the players. Soon they are warming up against the dramatic backdrop of the arid Nevada mountains, then it’s show time.

“We go out on the field and the strength conditioner and myself have to run water during the match. Because it’s so intense you’ve just got a short time to get on and off. I almost got tackled by a Scottish player today, so it’s fast and furious and then it’s back off to manage any injuries.”

After the game there is more strapping, ice, hydration and perhaps some manual therapy as Ryan and the team assess whether some players can “back up” for another match. Fourteen minutes of competition might sound lightweight but the sport is punishing; these are colossal, super-fit athletes who charge the field with lightning speed and brute force. Peripheral injuries to ankles, knees, joints and backs are common, as are contact-
related wounds and soft-tissue damage, such as strained calves and hamstrings. Hydration and nutrition are perpetual challenges, particularly on long-haul flights when you are dealing with bear-like men crammed into chicken-class seats.

“We know anecdotally that long periods of travel on planes affects athletes – it’s a real concern for player welfare,” Ryan says. “This can be the effects of sitting in air-conditioning for anything from three to 22 hours, sitting next to people who are unwell and picking up an illness, losing weight from eating small, irregular meals that are not optimal for athletes, and the effect of jamming six-foot, five-inch, 100-kilogram players in economy seating for long periods – expecting them to be able to have any sort of quality sleep sitting upright.”

Ryan – who graduated as a physiotherapist in 1993, becoming a sports physio in 2000 – spent two decades working with rugby union clubs before joining the Rugby Sevens full-time in 2014 when the program centralised in Sydney. Between running two physio practices with her husband – former Australian Wallaby’s physiotherapist Andrew Ryan – and raising three children under the age of 11, Ryan has little chance to sit still. And her job comes with sacrifices: in Vegas she misses two of her children’s birthdays, and Mother’s Day is spent on tour in Scotland.

“Missing two birthdays was a little bit devastating,” she says. “I guess the biggest thing being a mother is that there’s just no way I’d have this opportunity normally with three kids at home if I didn’t have a great team at home as well – my husband, mother, aunts, uncles – everyone pitching in to enable me to be able do this.”

Tiendanite tribe homestay

Opt out of Noumea’s fancy hotels and expensive restaurants and head north to immerse yourself in Kanak culture by staying with a local tribe for a night. Situated about a 30 minute-drive from the busy hum of the seaside village, Hienghène, the Tiendanite tribe is nestled out in the wilderness and it’s a sight to behold.

You’ll be greeted by your host, Bernard, among a tangled mess of green towering trees and blooming taro bushes, bright pink bougainvillea and clusters of fat yellow pamplemousse (grapefruit). The accommodation is a small wooden cabin, furnished with twin mattresses on the floor, and fitted with a power point and a single light. It’s quaint but comfortable, and the disconnect from your usual creature comforts frees up time to enjoy your lush surrounds.

Sit down to a feast of locally sourced food for dinner – think fish caught straight from the river and homegrown vegetables. During the day, discover the history of the Tiendanite tribe on a walk around the grounds with Bernard, learn to fish for freshwater prawns or master the art of harvesting yams.

One-Of-A-Kind Wines at Cantina Sociale

It’s always wine o’clock in Adelaide, and this unique establishment demonstrates why. Created by a trio of mates, including a local winemaker, food expert and coffee connoisseur, Cantina Sociale serves small-batch and one-of-a-kind wines sourced directly from the vineyard.

From barrels behind the bar, the staff pours drops – ones you won’t find on other wine lists or at the bottle shop – from McLaren Vale, the Adelaide Hills and further afield. Choose a glass, indulge in a carafe or opt for a flight. Keep yourself nicely satisfied with a selection of snacks from the kitchen including truffle oil popcorn, lamb ‘lollipops’ and platters of pintxos (Spanish snacks of anchovies, marinated capsicum and peppers on bread). By the end of the night you’ll have a party on your palate.

Berkeley River Lodge

Early mornings are all part of the experience at this understated luxury getaway on the Joseph Bonaparte Gulf in remotest Western Australia. The heat makes the hours just after dawn the most comfortable for the activities: driving along beaches looking for turtle tracks, fishing for barramundi on uncharted estuaries or for GT and Spanish mackerel out to sea, taking the boat along the coastline spotting local residents from saltwater crocs to dugongs, or cruising over the dramatic landscape in a helicopter.

Twenty individual lodges are built along sand dunes. Each is decorated with restrained elegance, and has its own sensational outdoor bathroom. The views out over the ocean are stunning, and, when the sun is high in the sky, beneath the shade cloth on the private balcony reading or contemplating the wilderness is the place to be. There’s a pool at the main lodge, where meals created from the best ingredients sourced from around the world are served.

The highlight of any trip to the lodge – if you take away the seaplane transfer from Kununurra – is the river cruise that meanders between soaring red cliffs to Casuarina Falls, where guests can step out on to the rocks and under the torrent of water to cool down.

Oh, My Lord

I’ve met a bird travelling and I’m smitten. She has exquisite brown eyes, a goth-black pecker, voluptuous bust and a body that feels like heaven’s velvet.

“Look how calm and content she is with you,” local guide Kenny says, sensing the chemistry between us. I almost don’t hear him. We’re sharing a moment, locked in a delicate embrace that elicits the kind of first-date goosebumps you get when two souls connect. It doesn’t matter that it’s raining buckets. Thick pellets whip my face, others detonate on my raincoat, finding chinks in my waterproof armour and seeping through to my skin. It’s a total whiteout but I’m completely oblivious.

I’m on Lord Howe Island and the bird that has won my affections is a providence petrel – a rare seabird that breeds nowhere else on Earth. I’m not a twitcher and you’d never catch me stalking out a hide in a camouflage vest and explorer hat – binos at the ready – but this experience has really moved me.

We’ve come to the base of Mount Lidgbird, one of the dramatic twin peaks symbolic of Lord Howe, to witness a rare and extraordinary weather event. A cyclonic-force low on the mainland has dumped 230 millimetres of rain in two days, transforming the volcanic rock faces that loom over the island into spectacular silvery cascades. Being here for this spectacle, on an island renowned for its mild climate, is akin to watching waterfalls tumbling off Uluru. But getting close to the action is going to involve getting wet. We stomp through mud, wade through shin-deep water and negotiate a knee-high crossing powerful enough to sweep the feeble-footed out to sea. The track burrows through tunnels of forest turned into gushing rivers, the overhead foliage blunting the force of the rain until we arrive at a grassy headland, hemmed in by the brooding Tasman Sea on one side and the basalt escarpment of Lidgbird on the other.

There’s an auditory deluge as the distant waterfalls compete with the thumping downpour on the hood of my raincoat. But there’s another sound too, the squawking of black-boomerang silhouettes circling overhead. It’s late afternoon and the curious petrels are coming home to roost. They respond to noise, and soon I’m cooing and howling like a banshee, calling the birds down. They literally drop out of the sky, one then another – gently carpet-bombing the ground until there are half a dozen clumsily flapping at our feet.

Our guides encourage me to pick one up. It’s not normally the done thing interacting with wildlife like this, but I really want to. I have to. I delicately slip my fingers under a bird’s ribcage and tuck it into the crook of my arm against my tummy. Its little webbed feet retreat under a plumage of fine brown-grey feathers in trustful submission. I stroke its chest, a little heartbeat pulsing against my fingers, and study the white-scaled pattern around its face and the rain droplets, forming like tiny diamantes, on the crown of its head. The bird is so relaxed it’s almost in a trance-like state. That’s what happens when you inhabit a remote island largely isolated from human contact. Birds have no fear.

Being here for this spectacle, on an island renowned for its mild climate, is akin to watching waterfalls tumbling off Uluru.

Lord Howe is the Galapagos of Australia, renowned for its proliferation of wildlife and plants, including many rare and endemic species. Thrust out of the Tasman Sea by volcanic eruptions almost seven million years ago and sculpted by molten rock and erosion, the island – a speck 600 kilometres off the NSW coast of Port Macquarie – nurtures a unique biodiversity that earned it world heritage status in 1982.

The island’s topography is staggering – 1455 hectares of subtropical rainforest and volcanic rock, fringed by white-sand beaches, grottoes, a sapphire lagoon, the world’s southernmost coral reef and sheer basalt cliffs. Not bad considering 97.5 per cent of the island is below water; in another 200,000 years it will all be submerged. On high ground, the interior is a veritable greenhouse of pandanus, banyan trees, ferns and kentia palms (once the lifeblood of the island). This is a remarkable habitat where the animal kingdom is, well, king. With a permanent population of just 350 people and visitors capped at 400, Lord Howe sees to it that humans are dramatically outnumbered. There are more than 300 plant species, a third of those endemic, and 166 types of birds (but only one mammal – a bat). This is all bookended in the north by the Admiralty Islands and in the south by Mount Lidgbird and Mount Gower – imposing humpback peaks visible from almost anywhere on the island. Except when the weather is foul.

When I visit, the small Dash-8 aircraft that service the island are grounded for two days, cutting Lord Howe off from the world, and Gower (a tantalising 875-metre hike) retreats behind a veil of mist, then disappears altogether. The lagoon turns from translucent to opaque and the entire island hums to the patter of rain – a regenerative force that keeps the landscape green – and the guests watered. A couple of weeks before my arrival, two months had passed without rain and the polite suggestion to limit showers to five minutes became a fervent request. Now Pinetrees Lodge – the oldest and biggest guesthouse on the island, situated on a lowland flat – is running pumps to keep rooms dry.

“This is almost miserable,” co-owner Luke Hanson says with a grin. He’s wearing his “wet-weather uniform”, a Gortex jacket and bare feet, and is armed with a cloth. “You don’t think this is miserable?” I respond. “No, no, this in mid-winter, day four with a howling southwesta, that’s miserable.”

Staring out over the island, the peaks of Gower and Lidgbird dominate the horizon, each topped with a beret of white cloud.

I could think of worse places to be stranded. Even in the wet Lord Howe is captivating – a true wilderness with a dramatic landscape reminiscent of Hawaii, and unbridled adventure opportunities. I’m ostensibly here for an organised walking and photography week, though I’m not sure my photos will do the island justice.

When the rain eases we take a boat over the glassy lagoon to North Bay, a postcard cove that in summer teems with 100,000 pairs of sooty terns nesting in the sand. We climb to the top of Mount Eliza, the north-westernmost point on the island, and watch as cobalt ribbons of water smash into the cliffs and volcanic dykes below. Staring out over the island, the peaks of Gower and Lidgbird dominate the horizon, each topped with a beret of white cloud. Another hike takes us to neighbouring Kim’s Lookout and along a ridgeline to Malabar Hill, where we spy in the rock crevices red-tailed tropicbird chicks.

Lord Howe is a chameleon, and one morning I wake to blazing sunshine. I hire a bike (the primary mode of transport on the island) and ride through the sleepy blink-and-you’d-miss-it centre of town to Ned’s Beach, a horseshoe alcove on the northeast coast. There’s a rustic shelter with tubs of snorkelling gear and an honesty box, as well as an old-school gumball machine that dispenses fish food pellets. I put in $1 and crank out a handful to take to the beach. I’m instantly accosted by dozens of mullet that almost suck the ends off my fingertips. A big bluefish swims up for a nibble, grazing my finger with its teeth, and I spot a beautiful trumpet fish floating past like a colourful piece of driftwood.

Some 100 varieties of coral and 500 species of fish populate the sublime waters of Lord Howe thanks to a warm North Queensland current that flows easterly from the mainland. Snorkelling in North Bay, I glide over coral gardens festooned with marine life and heaving with colourful fish. On the boat journey back three green turtles float to the surface, momentarily poking their noses out of the water. This island is such a tease.

Gower has been beckoning all week but is off-limits given the recent weather conditions. Even local guide Dean Hiscox, who with his daughter and a mate went canyoning in the valley between Gower and Lidgbird at the height of the downpour, is cautious. “Gower will be an adventure… possibly life threatening,” he says, deadpan.

Instead I recruit Kenny Lees, a local photographer who has been leading our activity week, and the two of us set off for a plateau on the shoulder of Lidgbird. We retrace the path we took earlier in the week and my shoes, still damp, are soon sopping. When we get to the grassy headland where we encountered the petrels we keep going, bounding over boulders before disappearing into the forest. A 100-metre elevation climb using guide ropes takes us to a rock overhang lined with palm trees. From here we edge across a narrow pass, the cliff dropping away beside us into the ocean. (On the way back a rock will come crashing down near me and I’m petrified of a landslip. It doesn’t help when Kenny tells me he’s never experienced a close call like it before.)

Soon we are off the path and freestyling – scrambling up over mossy rocks, lichen-covered branches and noodles of browned pandanus leaves that act as booby-traps hiding ankle-twisting cavities. It’s raining and I think we’re lost. Kenny mumbles something about looking for a tree. He finds it and we step out onto a plateau, dodging webs of golden orb spiders to stand on the precipice – it’s breathtaking and we’re not even half the height of Gower. I experience a moment of vertigo as we take in the sweeping panorama. Then I spot the familiar silhouette of petrels in the sky. I funnel my fists to my mouth and summon them down. Within minutes one sits dutifully in my hands. Others watch on quizzically, perhaps waiting for their turn.

Before long I’m getting cosy with another big bird, only I’m not so enamoured with this one. It has twin propellers, fixed wings and roaring engines, and is shunting me back to the mainland. And I’m not quite ready to leave.

La Maison du Banian Tree house

Robinson Crusoe eat your heart out. This enchanting tree house, 10 kilometres from Vanuatu’s capital, Port Vila, is an architectural wonder that seamlessly blends island living with the natural environment. The house is built in and around a giant banyan tree and is furnished with home comforts made exclusively from natural materials and fibre.


Take a swing in a hanging bamboo chair and climb a ladder to the loft bedroom, where you’ll wake to birdsong under a canopy of natangora leaves. Feast on a breakfast smorgasbord of fruit and freshly laid eggs, courtesy of the rainforest garden and its resident chickens.

The Beach House

Ever dreamed of downing your morning coffee with a whale frolicking in the foreground? That can be your reality when you wake up at this secluded gem. Tiny but beautiful Fofoa Island, part of the Vava’u group, plays host to The Beach House, an eco-friendly bungalow that sleeps up to five people in two bedrooms, each with its own private balcony.


In the evening, cook up the catch of the day and eat on the overwater deck as the sun goes down. The house is a 45-minute boat ride from the main town of Neiafu and overlooks the Blue Lagoon. While you’re there, jump in with or watch humpback whales (the season lasts from July to October), spot turtles, join a Tongan feast, go fishing and kayak to uninhabited sanctuaries.

Your own private island at Oravae Cottage

If you’ve ever dreamed of disappearing to your own Pacific island with just the sound of lapping waves accompanying you, then Oravae Cottage could be for you. Perched on the edge of a tiny island about 20 minutes by boat from Gizo, these three gorgeous cottages offer the chance to really get away from it all.

The main cottage has a double bedroom and up to five single beds, while a small kitchenette allows for coffee-making and snacks. The main living area spills onto an overwater deck with perfect views of the lagoon and the setting sun.

Spend the days as you please. Whether it be plunging off the overwater veranda into the vodka-clear lagoon, or simply sitting back sipping a lagoon-clear vodka, the choice is yours. You can arrange fishing, diving, surfing and trekking all from the comfort of your hammock, or simply jump off the deck and snorkel the day away.

The local owners live on the opposite side of the island and spoil you with three delicious meals a day. Pick up a freshly caught tuna at Gizo market and dine on ceviche or tuna steaks that evening. Oh, ask for the coconut crab curry; it’s simply stunning.

Whatever you decide to do, you’ll be stunned that for as little as US$150 per person you can have your own island in paradise to yourself. This becomes clear as the sun goes down and the rest of the world seems non-existent.